For us Swedes that lived abroad, we could always go there to get our candies, our cinnamon rolls. so, for us, it meant a lot to go occasionally to IKEA. And I introduce Swedish culture to my kids by going to an IKEA. Even me living abroad for my whole adult life, I always reminisce being back in Sweden by going to an IKEA. Everywhere we go, we see IKEA, and it resembles home. Sweden is a small country, and we have an ability to make noise outside of these borders, so it’s important for us. ![]() Sweden is built off IKEA so we’re very, very proud. Interior Design: What does IKEA mean to Sweden? In an exclusive interview with Interior Design, Steve Angelo from Swedish House Mafia represented the DJ trio, while Wiersma and IKEA creative leader, James Futcher, spoke for the Swedish design behemoth in a conversation that covered everything from IKEA hacks to the eclecticism of Prince. With a classic black aesthetic and minimalistic, sleek design that supports the technology and how it is used, Obegränsad, which means unlimited in Swedish, targets music fans, producers, and DJs with accessible but still professional equipment. Featuring everything from furniture to a turntable and even slippers, Obegränsad was created to enable rising creatives in music and digital arts to build a home studio at an affordable price.ĭespite being platinum-selling artists with their smash hit Don’t Worry Child, SHM’s collection is primarily powder-coated steel-although IKEA designer, Friso Wiersma, compares it to an old pair of jeans à la Bruce Springsteen. In a match made in brand-and band name-heaven, Swedish House Mafia and IKEA have teamed up on an exclusive collection launching globally this month. Other projects by the studio include a wooden summerhouse raised off the forest floor and and another house clad in Siberian larch with an adjoining wrap-around terrace.Swedish House Mafia Shares Insights on the Making Of Their New Collection With IKEA Swedish architect Sundberg founded his studio, Johan Sundberg Arkitektur, in 2006. ![]() Spruce floors feature in every room, along with white ceilings, delicate curtains and bulbous hanging lights, forming a backdrop to an array of furniture.ĭesigned by Sundberg, all the fixed furniture is made from oak, while the more colourful, moveable chairs and tables were designed by a local decorator working directly for the client. The children's bedrooms are designed to be spacious, with en-suite bedrooms, to ensure they will still be suitable for use when they have grown up. On the east side of the house are living spaces and the children's bedrooms, while the west side hosts the master bedroom and an outdoor dining area. Inside, the building is divided into three volumes that combine to form the T-shaped floor plan.Īccording to Sundberg, the idea was to a variety of spaces and moods so that "different generations can hang out in and around the house at the same time without bothering one another too much". Frequently found in Japanese architecture, these form decorative alternatives to downpipes and double as water features. Other key details include rain chains, known as kusari-doi, which hang down from the overhanging eave. ![]() With the surrounding trees offering a suitable amount of privacy, the architect was able to add large sliding glass doors all around the building. To contrast, the underside of the roof is painted dark to emphasise the shadows. To help the house blend in with its surroundings, Sommarhus T's walls and veranda are finished in a silvering Siberian larch – a favoured material of Sundberg's, also used in his gabled holiday home set in a pine forest in Österlen. "We wanted to see if we could take this typology and mix it with our ideas of the Swedish and Danish postwar summer dwelling."
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