![]() ![]() Next week we’ll start to look at post-production – the last phase, where everything starts to really come together. Smooth, fast, closed loop control over pan/tilt/roll axes. Drones can give your b-roll a unique perspective, but don’t overuse them! Too long without seeing faces may make your audience emotionally disconnect Bundle includes MoVI Pro 3-axis handheld gimbal stabilizer, MoVI Ring Pro & MIMIC Controller. Setup to shoot on a DJI Movi Pro gimbal, while one of our fave ACs, Cari, pulls focus from a remote monitorĪnd since the brief called for a drone, this is the time that the drone operator will, safely, launch the drone and capture the aerial shots that the Director is looking for. The AC might be called on to use a wireless follow focus to adjust the lens while the camera is moving. That might include a slider which allows the camera to move smoothly over a short distance, or an electronic gimbal that allows the camera to move much further, with slightly less stability. of wearing it and shooting in it, the team opted for a replica. Michael was one of the first Abelcine certified Movi technicians in the. Ram Setu is a 2022 Indian Hindi-language action-adventure film directed by Abhishek Sharma. Shooting on a shoulder rig for b-rollĪt this point, the DP will use a variety of tools to execute on the shotlist. Michaels Steadicam package supported by the industry standard GPI PRO arm. Although a shot of sales numbers on a whiteboard can be taken out of the edit later, if it’s flagged now, there could be an opportunity to still get a great shot that frames out the information in question. When it comes time to shoot b-roll, the Director and DP will largely be working from the list they developed in pre-production, while still keeping eyes out for anything interesting and relevant to shoot around the location.įor the client, it’s important to make sure the crew is only going where they can do so safely, and also watching out that nothing proprietary is captured. The counterpart to interviews is b-roll, the extra, illustrative footage that runs over the interviews when everything is edited together. Last week looked at how to conduct interviews as one part of a successful branded content shoot. This post is part of an ongoing series called Going Deeper where we look at branded content production through the lens of the world’s most important question: why.
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